![]() Then she begins to beat herself with a heavy whip, all the while moaning. Alarmed, Cecilia retreats to her quarters, strips nude (something she does with satisfying regularity) and ties what can only be described as a barbwire belt around her midsection. As Cecilia dines with the other nuns in total silence, she sees Satan in the window. Even more terrified, she runs off again, this time to the safety of the convent. In the reflection of the water she once again sees Satan. ![]() She takes it into her arms, coddles it, and takes it over to a well so it can drink. She then encounters a local young boy (about thirteen-years-old) and he shows her his new baby lamb. Turns out the guy (Enrique Rocha) is Satan and Cecilia runs off, terrified. One day while frolicking about in the countryside, she sees a handsome naked man. She was a veterinarian but decided instead to devote her life to Christ and now lives in a rural convent. Satánico stars the ridiculously cute Cecilia Pezet as a troubled young nun. However, the final scene does show that nope, this was no dream this was Satan! In fact, Adolfo Solares states that they had to write the film in such a way that the entire ordeal could be viewed as a bad dream in order to get it past the censors. ![]() To call this film “shocking” to Pope-loving sensibilities would be a massive understatement. For, not many countries are as mindlessly Catholic as Mexico. Directed by Mexico’s most prolific director, Gilberto Martínez Solares (who, I should mention was a very close friend of Luis Bunuel), and written by his son, Adolfo, this film wades into very rarified waters. Only Satánico Pandemonium has a massive amount of Satanism to go along with all the nudity, stabbing and hot nun on nun action. What is nunsploitation you ask? Simply put, it is a bunch of naked, lesbian nuns murdering each other in a convent. And Satánico Pandemonium, aka La Sexorcista, has nunsploitation in spades. “Nunsploitation.” That’s probably my favorite word in the English language.
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